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This is gonna be a loooooong post. What follows is a freely edited transcription of my notes from the Zukofsky/100 conference at Columbia t...
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Midway through my life's journey comes a long moment of reflection and redefinition regarding poetics (this comes in place of the conver...
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Will be blogging more or less permanently now at http://www.joshua-corey.com/blog/ . Or follow me on Twitter: @joshcorey
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My title is taken from the comments stream of an article recently published by The Chronicle of Higher Education , David Alpaugh's "...
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Elif Batuman has amplified her criticism of the discipline of creative writing (which I've written about before ) in a review-essay tha...
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Thursday, September 29, 2011 Berlin. Fog of sleep deprivation coloring an otherwise perfect blue autumn day a sort of miasmic yellow i...
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Trained it down to DePaul's Loop campus this morning to take part in a panel, "Why Writers Should Blog," alongside Tony Trigil...
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In one week Lake Forest will hold its commencement and I'll take off my professor's hat for the summer. A few weeks later, in June, ...
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Farewell, Barbara Guest .
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That's one of my own lines. From an untitled (they're all untitled) severance song: After form fails a furling, reports dying away,...
1 comment:
I left a comment in a post further down about Mairead but this seems a better place for it, so forgive any duplication. I don’t know if you’ve heard Mairead read live but she adds even more emphasis to the work when she reads. What I mean is that the listeners don’t just hear the poem being read – they feel it. She’s not melodramatic when she reads - it’s just that her readings are very effective. I have to agree, An Educated Heart hurts but it’s worth it.
I’ve commented twice in the span of a few days but don’t worry, I’m not trying to hijack the comments on your site. I drop in sometimes to read but I couldn’t pass up commenting on An Educated Heart.
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