Cahiers de Corey

Friday, July 11, 2003

Another Friday night at the Bookery. Tomorrow we're having a garage sale early early, after which we're hoping for normalcy. Come and buy something.

I may yet get to the Shippy I was looking at last week but right now it's more fun to browse through some of the newer arrivals at random. Lots to like in the Timothy Donnelly book that was featured in Entertainment Weekly, 27 Props for a Production of Eine Lebenszeit. I'm left with the impression of remarkably dense formations of verbal wit, with a flicker of Steinian repetition as one of its engines. Some lovely stuff in Katie Ford's Deposition, but I'm put off by the foregrounding of Christian spirituality, or at least Christian imagery (the word apparently means "the taking down of the body of Christ from the cross" along with its more familiar definitions). How many books with a spiritual bent are fundamentally Christian, and me not realizing it because I haven't been trained to think that way? Am I being unknowingly "Christian" when I start thematizing things not seen in my own writing? It gives this secular Jew some pause. Next on my list is a book by a fellow named Mark Ford, Soft Sift, which has captured my attention principally by having an introduction by John Ashbery—I didn't know he did that sort of thing. Also on the list is a book by Michele Glazer, It Is Hard to Look at What We Came to Think We'd Come to See, which bears the imprimaturs of Carole Maso and Jorie Graham (Jorie also blurbs the Ford and Donnelly books); Fanny Howe's Gone, which I've looked at before (more Christianity?); the Shippy book; and a Green Integer book of a Japanese poet I'm unfamiliar with, Hagiwara Sakutaro, because every now and then I am shamed by my ignorance of poetries outside of English. This is a pretty good job sometimes.

Seriously, come and buy something. We've got an iron, no fewer than three computers, some blankets and kitchenware. Lots of stuff. 321 Pleasant Street, Ithaca, 8 AM sharp.

No comments:

Post a Comment

Subscribe to: Post Comments (Atom)

“Joshua Corey has reinvented the good old-fashioned American avant-garde epic poem (Whitman, Stein, Crane, O’Hara) and thrust it, kicking if not screaming, into the early 21st century, ‘rescued / by what survives the will to survive.’ The result is thrilling, and unlike any poetry I know.”

—John Ashbery

"Joshua Corey’s The Barons is a sprawling collection of poems intent on toeing the line between the profound and the glib, brainy deconstruction and guttural implosion. These poems are like toys cranked up to the point of breaking or like hurricanes whipped into speed and spinning furiously in place."

—Joe Hall, Colorado Review

Available from Omnidawn Publishing and wherever books are sold.

Beautiful Soul: An American Elegy is a darkly glamorous existential noir in the late modernist tradition of José Saramago, W.G. Sebald, Italo Calvino, and Roberto Bolaño. Written in gorgeous and elliptical prose, this electric first novel is a love story, a ghost story, and a psychological thriller about the enigma of American innocence, the fatality of storytelling, and the precarious destiny of reading itself.

"Corey’s prose registers the sensations, perceptions, and experiences of the novel’s characters — primarily the protagonist — in truly the only way such characters actually come to life: they live in language, and to that end the writing in Beautiful Soul, in its scrupulous attention to phrase and image in almost every sentence, could be called an attempt to bring the characters and their milieu to life through the vigor of the words on the page."

--Daniel Green, Full Stop

"We hold a letter, its creases worn nearly through from years of opening and folding shut again. Yet each reading is a revelation, a shock, a mystery, a challenge. Corey gives this a new jolt, a new charge, in this rich and intensely self-reflective novel."

--Spencer Dew, decomP

Available from Amazon in print or Kindle editions, from Small Press Distribution, and from the publisher, Spuyten Duyvil Press.

One of the Academy of American Poets' Notable Books for 2011.

"Joshua Corey's book of sonnets is formally playful and emotionally raw, with an intensity of expression that is at times harrowing. . . . [A]n extraordinary volume." —Paul Hoover

"These songs shuttle between a past and a future, cast adrift or severed from a violent, ashen present into a necessary untimeliness. . . . What then of the sonnet, repository of desire and enemy of time? It is, as ever, that form by which we re-imagine subjectivity to confront altered circumstances, and to assess 'the shipwreck of the singular' in the maelstrom of the many. . . ." —Michael Palmer

"In Severance Songs, Joshua Corey tends to the always-mysterious border that connects the interior and the exterior. Is one inside the tale if one alludes to it? Is the eye tethered as witness to what it sees? And who can avoid singing these 'culpability cantos'? Yet if the lush Eden of intimacy foresees our later expulsion, this poet shows us how to stand at the garden's threshold where 'reaching builds on reaching.' Corey risks the possible emptiness inherent in rupture to seek out the ways we are 'knotted to one another's possibilities.' The architecture of the poem, he reveals, is replete with doors and windows and it is for us to discover whether we are looking in or looking out." —Elizabeth Robinson

Now available from Small Press Distribution, Amazon, or your local bookstore.

Read reviews at Publishers Weekly, Wave Composition, The Critical Flame, TrainBust, Poetry Northwest, and in Spoon River Poetry Review.

Goodreads

Joshua's bookshelf: currently-reading

Swann's Way

by Marcel Proust

Slowly, slowly sinking into the astonishingly sensual memory-world of Proust. At forty, I think I'm finally old enough to appreciate it. Reading the Moncrief but I'd like to check out the Lydia Davis translation as well.

tagged: currently-reading