Guilt this morning for deciding not to get on a bus or into the car and drive snowy roads to NYC for the antiwar rally there Saturday, especially after reading Silliman's Blog entry for today. Instead tomorrow night I'm driving up to Cortland, New York for a Poetry for Peace readingan event scheduled before the Laura Bush brou-ha-ha but one that very much will take its spirit from the events that have been scheduled around the fallout from the First Lady's simply amazing declaration that "it would be inappropriate to turn a literary event into a political forum." Think globally, act locally, right? Still sounds a bit weaselly to me, but I do believe that, sadly, opportunities to protest the war-in-progress (all talk of a surgical strike notwithstanding) will be all too plentiful in the months to come.
Ron Silliman's focus on Sam Hamill's conservative aesthetics and their tendency to reify and affirm the present order makes sense to me, but I have to say that the present moment makes me proud to share the name poet with Mr. Hamill and even our much-maligned (by me) Poet Laureate. Poets are having an impact in their opposition to a criminal regime (ours) and giving the lie to the claims of those (often self-hating poets themselves) who wave the banner of "Poetry makes nothing happen" and think that it's inappropriate (or simply "adolescent and irresponsible" as well as, naturally, "anti-American"see this sneering article in The Weekly Standard for the rest of J. Bottum's dream) for poetry and politics to mixany politics not in favor of the status quo, that is. Yes, of course most of the antiwar poetry being written is reactionary in its aesthetics or just plain bad, but so is most poetry most of the time. But what matters is that poets, who do have an audienceit's a small audience, but it's bigger than that enjoyed by non-artistsare allowing their politics and their everyday livesthat is, their lives in poetry to blend. It sets a magnificent example for everyone who encounters that kind of raised consciousness to do the same.
Subscribe to:
Post Comments (Atom)
Popular Posts
-
This is gonna be a loooooong post. What follows is a freely edited transcription of my notes from the Zukofsky/100 conference at Columbia t...
-
Midway through my life's journey comes a long moment of reflection and redefinition regarding poetics (this comes in place of the conver...
-
Will be blogging more or less permanently now at http://www.joshua-corey.com/blog/ . Or follow me on Twitter: @joshcorey
-
My title is taken from the comments stream of an article recently published by The Chronicle of Higher Education , David Alpaugh's ...
-
Elif Batuman has amplified her criticism of the discipline of creative writing (which I've written about before ) in a review-essay that...
-
Thursday, September 29, 2011 Berlin. Fog of sleep deprivation coloring an otherwise perfect blue autumn day a sort of miasmic yellow i...
-
Trained it down to DePaul's Loop campus this morning to take part in a panel, "Why Writers Should Blog," alongside Tony Trigil...
-
In one week Lake Forest will hold its commencement and I'll take off my professor's hat for the summer. A few weeks later, in June, ...
-
Farewell, Barbara Guest .
-
That's one of my own lines. From an untitled (they're all untitled) severance song: After form fails a furling, reports dying away, ...
No comments:
Post a Comment