But when poetry lays its hand on our shoulder we are, to an almost physical degree, touched and moved. The imagination's roads open before us, giving the lie to that brute dictum, There is no alternative."And we should not omit the following paragraph, which is the one many would most wish omitted:
Of course, like the consciousness behind it, behind any art, a poem can be deep or shallow, glib or visionary, prescient or stuck in an already lagging trendiness. What's pushing the grammar and syntax, the sounds, the images - is it the constriction of literalism, fundamentalism, professionalism - a stunted language? Or is it the great muscle of metaphor, drawing strength from resemblance in difference? Poetry has the capacity to remind us of something we are forbidden to see. A forgotten future: a still uncreated site whose moral architecture is founded not on ownership and dispossession, the subjection of women, outcast and tribe, but on the continuous redefining of freedom - that word now held under house arrest by the rhetoric of the "free" market. This on-going future, written-off over and over, is still within view. All over the world its paths are being rediscovered and reinvented.