Cahiers de Corey

Sunday, April 30, 2006

Killer SOON reading last night, with a record number in attendance—more than seventy people crammed every corner of the State of the Art Gallery to hear Dan Beachy-Quick and Matthea Harvey read. (Publicity works.) The two readers made for a nice contrast: Dan's work has an affect of reverence and a kind of scholarly intensity, while Matthea's peoms tends to be jaunty up front and melancholy behind. Dan read from his forthcoming book Mulberry and also from a work-in-progress. I don't know why I never noticed this before, but his writing has many affinities with the work of Donald Revell (who's a friend of Dan's and who offers a blurb to Mulberry): they're both practioners of an astringent nearly Puritan pastoral (I always think of New England when I read their work, even though Revell lives in the Southwest and has for many years). It turns out that Dan's father lives in Ithaca and he summered here when he was a kid, so for him this is very much his childhood landscape of inspiration. Matthea read three poems from Sad Little Breathing Machine and then work from a new manuscript, which included prose poems on the adventures of RoboBoy and some darker lyrics all bearing the title "Terror of the Future" (an inversion of a phrase that stuck in her mind, "the future of terror"). Aaron produced beautiful broadsides, as usual (though he himself was unfortunately laid up by a bad back and couldn't attend), and afterward we all went to Ithaca's new fake Irish bar and had $2 pints of Bass. Another evening for the books.

Next month: Aaron Kunin and John Coletti. ADDENDUM: On Saturday, May 20.

3 comments:

Jessica Smith said...: When's the Kunin reading? I think I'll be in Ithaca next month... & would love to make it in time for that. Kunin is awesome.; 2:31 PM
Stuart Greenhouse said...: Sounds electric . . . I wish I could've been there.; 3:34 PM
Unknown said...: Jessica, if you make it, be sure to say hi!; 5:21 PM

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“Joshua Corey has reinvented the good old-fashioned American avant-garde epic poem (Whitman, Stein, Crane, O’Hara) and thrust it, kicking if not screaming, into the early 21st century, ‘rescued / by what survives the will to survive.’ The result is thrilling, and unlike any poetry I know.”

—John Ashbery

"Joshua Corey’s The Barons is a sprawling collection of poems intent on toeing the line between the profound and the glib, brainy deconstruction and guttural implosion. These poems are like toys cranked up to the point of breaking or like hurricanes whipped into speed and spinning furiously in place."

—Joe Hall, Colorado Review

Available from Omnidawn Publishing and wherever books are sold.

Beautiful Soul: An American Elegy is a darkly glamorous existential noir in the late modernist tradition of José Saramago, W.G. Sebald, Italo Calvino, and Roberto Bolaño. Written in gorgeous and elliptical prose, this electric first novel is a love story, a ghost story, and a psychological thriller about the enigma of American innocence, the fatality of storytelling, and the precarious destiny of reading itself.

"Corey’s prose registers the sensations, perceptions, and experiences of the novel’s characters — primarily the protagonist — in truly the only way such characters actually come to life: they live in language, and to that end the writing in Beautiful Soul, in its scrupulous attention to phrase and image in almost every sentence, could be called an attempt to bring the characters and their milieu to life through the vigor of the words on the page."

--Daniel Green, Full Stop

"We hold a letter, its creases worn nearly through from years of opening and folding shut again. Yet each reading is a revelation, a shock, a mystery, a challenge. Corey gives this a new jolt, a new charge, in this rich and intensely self-reflective novel."

--Spencer Dew, decomP

Available from Amazon in print or Kindle editions, from Small Press Distribution, and from the publisher, Spuyten Duyvil Press.

One of the Academy of American Poets' Notable Books for 2011.

"Joshua Corey's book of sonnets is formally playful and emotionally raw, with an intensity of expression that is at times harrowing. . . . [A]n extraordinary volume." —Paul Hoover

"These songs shuttle between a past and a future, cast adrift or severed from a violent, ashen present into a necessary untimeliness. . . . What then of the sonnet, repository of desire and enemy of time? It is, as ever, that form by which we re-imagine subjectivity to confront altered circumstances, and to assess 'the shipwreck of the singular' in the maelstrom of the many. . . ." —Michael Palmer

"In Severance Songs, Joshua Corey tends to the always-mysterious border that connects the interior and the exterior. Is one inside the tale if one alludes to it? Is the eye tethered as witness to what it sees? And who can avoid singing these 'culpability cantos'? Yet if the lush Eden of intimacy foresees our later expulsion, this poet shows us how to stand at the garden's threshold where 'reaching builds on reaching.' Corey risks the possible emptiness inherent in rupture to seek out the ways we are 'knotted to one another's possibilities.' The architecture of the poem, he reveals, is replete with doors and windows and it is for us to discover whether we are looking in or looking out." —Elizabeth Robinson

Now available from Small Press Distribution, Amazon, or your local bookstore.

Read reviews at Publishers Weekly, Wave Composition, The Critical Flame, TrainBust, Poetry Northwest, and in Spoon River Poetry Review.

Goodreads

Joshua's bookshelf: currently-reading

Swann's Way

by Marcel Proust

Slowly, slowly sinking into the astonishingly sensual memory-world of Proust. At forty, I think I'm finally old enough to appreciate it. Reading the Moncrief but I'd like to check out the Lydia Davis translation as well.

tagged: currently-reading