Cahiers de Corey

Friday, March 10, 2006

Quick hello from Austin. This AWP will stand out from others as a University of Montana reunion: almost everybody I knew and cared about from my Griz days is here and we've been hanging out and having a great time. Been to the whole of one really good panel, the Beauty & Ethics thing, and I'll have some notes to post later on; I also stuck my head into the Kenneth Koch panel long enough to hear remarks by Jordan (he's doing three panels, at least!) and Jonathan. Austin makes a good first impression in spite of being very car-oriented, almost a little L.A. Heard some great music at The Continental Club right after arriving Wednesday night, and I loved the space at the Unofficial Garden Party (I won the raffle! A gorgeous chapbook from Hot Whiskey Press), though it was kind of an unfortunate venue for a reading. People really can't stop shmoozing long enough to listen to poems. Some valiant efforts did break through for me, including readings by Aaron (there's a beautiful, surprisingly Zukofskyan poem about flowers in his new chapbook February from Jess Mynes' Fewer & Further Press), Tony, and Hoa Nguyen (I missed Stephanie, sadly, but I made up for it later by recommending the Magna Cristo sandwich at the Magnolia Cafe later that night (picture a sandwich with everything on it and the bread is French toast). Also caught the tail end of the Legitimate Dangers reading, which was literally the tail end, alphabetically: Monica Youn (who I know from my Stanford Days) and Matt Zapruder. It was held in a bar called Ego's, which as Matt noted is only fitting.

That's all I've got time for—it will probably be a while before I can organize my further thoughts regarding the previous post. The Ethics & Beauty panel might have helped me along a bit there.

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“Joshua Corey has reinvented the good old-fashioned American avant-garde epic poem (Whitman, Stein, Crane, O’Hara) and thrust it, kicking if not screaming, into the early 21st century, ‘rescued / by what survives the will to survive.’ The result is thrilling, and unlike any poetry I know.”

—John Ashbery

"Joshua Corey’s The Barons is a sprawling collection of poems intent on toeing the line between the profound and the glib, brainy deconstruction and guttural implosion. These poems are like toys cranked up to the point of breaking or like hurricanes whipped into speed and spinning furiously in place."

—Joe Hall, Colorado Review

Available from Omnidawn Publishing and wherever books are sold.

Beautiful Soul: An American Elegy is a darkly glamorous existential noir in the late modernist tradition of José Saramago, W.G. Sebald, Italo Calvino, and Roberto Bolaño. Written in gorgeous and elliptical prose, this electric first novel is a love story, a ghost story, and a psychological thriller about the enigma of American innocence, the fatality of storytelling, and the precarious destiny of reading itself.

"Corey’s prose registers the sensations, perceptions, and experiences of the novel’s characters — primarily the protagonist — in truly the only way such characters actually come to life: they live in language, and to that end the writing in Beautiful Soul, in its scrupulous attention to phrase and image in almost every sentence, could be called an attempt to bring the characters and their milieu to life through the vigor of the words on the page."

--Daniel Green, Full Stop

"We hold a letter, its creases worn nearly through from years of opening and folding shut again. Yet each reading is a revelation, a shock, a mystery, a challenge. Corey gives this a new jolt, a new charge, in this rich and intensely self-reflective novel."

--Spencer Dew, decomP

Available from Amazon in print or Kindle editions, from Small Press Distribution, and from the publisher, Spuyten Duyvil Press.

One of the Academy of American Poets' Notable Books for 2011.

"Joshua Corey's book of sonnets is formally playful and emotionally raw, with an intensity of expression that is at times harrowing. . . . [A]n extraordinary volume." —Paul Hoover

"These songs shuttle between a past and a future, cast adrift or severed from a violent, ashen present into a necessary untimeliness. . . . What then of the sonnet, repository of desire and enemy of time? It is, as ever, that form by which we re-imagine subjectivity to confront altered circumstances, and to assess 'the shipwreck of the singular' in the maelstrom of the many. . . ." —Michael Palmer

"In Severance Songs, Joshua Corey tends to the always-mysterious border that connects the interior and the exterior. Is one inside the tale if one alludes to it? Is the eye tethered as witness to what it sees? And who can avoid singing these 'culpability cantos'? Yet if the lush Eden of intimacy foresees our later expulsion, this poet shows us how to stand at the garden's threshold where 'reaching builds on reaching.' Corey risks the possible emptiness inherent in rupture to seek out the ways we are 'knotted to one another's possibilities.' The architecture of the poem, he reveals, is replete with doors and windows and it is for us to discover whether we are looking in or looking out." —Elizabeth Robinson

Now available from Small Press Distribution, Amazon, or your local bookstore.

Read reviews at Publishers Weekly, Wave Composition, The Critical Flame, TrainBust, Poetry Northwest, and in Spoon River Poetry Review.

Goodreads

Joshua's bookshelf: currently-reading

Swann's Way

by Marcel Proust

Slowly, slowly sinking into the astonishingly sensual memory-world of Proust. At forty, I think I'm finally old enough to appreciate it. Reading the Moncrief but I'd like to check out the Lydia Davis translation as well.

tagged: currently-reading